On this site….

....you will find information on the various services I offer as well as meanderings about reading, writing, editing and publishing, and odd snippets about genealogy, astrology, meditation, belly dancing and who knows what else?

Free sample!

Of course, you'll want to check out the quality of my work and decide if I'm the right person to handle your precious manuscript, thesis, dissertation, family history or website - or, in fact, any other kind of editing job! If you are a new client, e-mail me up to ten pages of your work and I will give them my best attention within two working days, absolutely free!

If your work totals more than 100 pages I will edit ten pages or 3,500ww, whichever is the less, completely free of charge, and if the work is shorter I will edit a proportional amount: e.g. if you have a twenty page essay or short story, I will edit the first two pages or the first 700 words, whichever is the less.

Or, if you'd like a taste of the fascinating information in your natal horoscope, send me your place, date and time of birth. (Sorry - I only do horoscopes for which this information is known.)

Sign up for these free offers here. (Note that these offers are for new clients only.)

About me
I'm an experienced writer and editor of both non-fiction and fiction.


Editing - non-fiction

Much of my editing work comes from academics, especially PhD students, but I also research, write and edit other non-fiction work, especially reviews, biographies and family and local histories.

Editing - fiction

I am a well-practised beta-reader and critic of speculative fiction and am currently a sub-editor for The Specusphere, an e-zine for the Speculative Fiction community, an e-zine for the Speculative Fiction community that features book reviews and articles about fantasy, sci-fi, horror and more.

Historical fiction and high fantasy are my specialist sub-genres, but I’m delighted to edit or proof-read books in most areas of fiction writing.

My experience

From a background in the performing arts, principally dance and music, I switched to writing in these areas in 1987. I have written reviews and feature articles for various prestigious publications including ArtsWest, Dance Australia, Music Maker and The Australian.

I pride myself on having a broad general knowledge, and have written or edited in non-fiction areas ranging from the arts (both performing and visual) and humanities (Astrology and Genealogy as well as academic disciplines such as History, Social Work, Women's Studies etc) through to Physiotherapy, Law, Business Studies, IT, and even an occasional Engineering effort. I critique, proof-read, edit and read "slush" for historical and speculative fiction writers and publishers, too.

Fiction wise? Well, a decade or so back I was bitten by the fantasy bug and I have just about written the million words they say you have to write before you are any good. Any morning now I will wake up to find that I’m as good as some of my favourite authors. (Hey, I can dream, can’t I?)

My bits of paper

I hold a BA in Religious Studies, an Associate Diploma in Performing Arts (Dance) and the certificate of the Federation of Australian Astrologers. For what it’s worth, I also have a Certificate in Rural Studies – I’m the only person I know who’s been both a ballet teacher and a pig farmer!

And how did this strange combination make me into an editor? Click here to find out!

Fun things

In my spare time I enjoy:

Family History


Astrology



Meditation


Yoga
(This will have its own page eventually!)

Belly Dancing



Although I regard these primarily as hobbies or life skills these days, I will write you professional family history - or help you write your own - and I occasionally offer workshops in meditation. I will also write astrological reports to order. Click on the links above to find out more!

Archives

Charges


SPECIAL NO-OBLIGATION OFFER!

If you are a new client and your work is over 100 pages, the first ten pages are free. (If the work is less than 100 pages, a proportional number of pages will be edited free.) This not only lets you judge the quality of my work for yourself; it also saves you a few dollars and enables me to give you an estimate for the rest of the manuscript. If you decide you want to go ahead with me, you can send larger files either via e-mail or through an upload service.

Please note that with academic theses, I like to see an abstract and the Literature Review first, if at all possible, as these give me the best idea as to the nature of the work and the standard of your English.

SCHEDULE OF FEES

Proofreading and correction of written papers (Undergraduate) $40.00 per hour or $8.00 per page, whichever is the less. (Minimum charge $40)
Proofreading and correction of written papers (Honours and Post-Graduate) $45.00 per hour or $9.00 per page, whichever is the less. (Minimum charge $45.00)
Proofreading and commentary on other written material, fiction and non-fiction As for  honours and post-graduate academic work for up to  50 pages. Longer manuscripts by negotiation.
Checking of already professionally copyedited manuscript pre-publication $2.50 per 1,000ww
Discussion interviews (Face to face or by phone) $20.00 per half hour
Writing (non-academic non-fiction) By negotiation.

WHAT WILL IT COST?

A thesis written by a scholar whose native language is not English takes many hours to edit. I always tell students to allow up to $1,000 for a thesis, but provided you give me enough time, I can usually bring the work in at less than that. Work of any kind written by native speakers is much easier to edit, hence the varying scales of charges above – if your English is not very good, the per page rate will work out cheaper for you. If your English is already of a good standard, the hourly rate will be cheaper.

What do I mean by “a good standard”? Your knowledge of vocabulary, grammar, syntax and spelling will be equivalent to that of a native speaker who has studied those topics to at least final year high school level. Not all high school English courses cover all those things, unfortunately, so the standard of English I see even from native speakers is not always very good.

And of course if you’re a fiction writer you will also have learnt how to set out your work in a professional manner and have a good grasp of how to structure a plot, how to develop characters, how to use point of view and setting and how to “show, don’t tell” so as to help give your reader the kind of immersion experience modern book lovers expect.

To find out more about the nuts and bolts of how I work, click here.

HOW TO PAY

Except for very small jobs, I ask clients to pay a minimum of $100 into my bank account as I begin the work and to keep “topping up” until the work is nearly finished.

REFERRAL SCHEME

This is a bonus system for established clients. I appreciate referrals from satisfied customers, as it means I don’t have to go to a lot of trouble and expense with advertising.

Every time you refer a client to me, and that client books and pays for a minimum of three hours’ proofreading / editing, I will give you one hour’s work within the same scale, completely free of charge: e.g. if your friend has three hours’ proofreading at the $45 rate, you will get a $45 credit. Make sure that you tell your friends to mention your name when paying for their work and I shall note it on your account as a credit towards your next payment. This is another reason to send me your work chapter by chapter – if you send me referrals you’ll be able to use the credit for your current work. Of course, you can save it to use at a later date if that suits you better.

Note: Bonus hours must be taken in kind and cannot be taken in cash or passed on to anyone else.